Steve Erickson on The Bat Segundo Show (#447)

Steve Erickson is one of my favorite novelists and writers. Thanks so much to Ed Champion for this interview, which is nothing less than a delight. — D

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Steve Erickson II (BSS #447)

Steve Erickson is most recently the author of These Dreams of You. He previously appeared on The Bat Segundo Show #180.

Subjects Discussed: Writing a novel around short bursts, plagiarizing the future, The Sea Came In at Midnight, the novel as kaleidoscope, rationale that emerges midway through writing a novel, losing 50 pages in These Dreams of You, not writing from notes, Zan’s tendency to hear profane words from telephone conversations, the considerable downside and formality of being dunned, fake politeness and underlying tones of contempt, not naming Obama, Kennedy, or David Bowie, Molly Bloom in Ulysses and Molly in These Dreams of You, Erickson’s commitment to the ineffable, letting a reader find her own meaning, defining a character in terms of story instead of public and historical terms, listening to David Bowie to get a sense of Berlin, Erickson’s cherrypicked version of Bowie’s Berlin Trilogy, not capitalizing American and European throughout Dreams, using autobiographical details for fiction, Jeanette Winterson’s Why Be Happy When You Could Be Normal?, “part fact part fiction is what life is,” dating a Stalinist, why fiction is more informed by real life, how invented details encourage a conspiracy, the dissipating honor of being true to what is true, the last refuge of a bad writer, what a four-year-old can and cannot say, bending the truth when it sounds too fictional, Kony and Mike Daisey, combating the needs for believability and readers who feel defrauded, authenticity within lies, kids and photos who disappear in Dreams, striking a balance between the believable and the phantasmagorical, fiction which confounds public marketeers from the outset, postmodernism’s shift to something not cool, limitations and literary possibilities, the burdens of taxonomy, living in a culture that wishes to pigeonhole, why Zeroville and These Dreams of You gravitate more toward traditional narrative, reviewers who are hostile to anything remotely unconventional, writing a novel from the collective national moment, the relationship between history and fiction, being a man “out of time,” thoughts on how a private and antisocial reading culture is increasingly socialized, having an antisocial temperament, writers who cannot remember the passages that they write, the pros and cons of book conventions, and being “a community of one.”

Listen: Play in new window | Download (Running Time: 43:22 — 39.7MB)

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